The fence grew into a transparent building, layer upon layer of wire fencing. Different directions and at different number of layers, creating variations and patterns. From a distance a densed character, as you came closer – a more transparent character.
A little greeting to the Swedish tradition to change expensive to cheap. A turned pillar of stone was often a round-painted wooden box. Maybe it was the museum's varied Jong corte perforated steel facade, which opened for this idea, a perforated varied facade of tensioned mats of networks.
Kalmar Energi Värme AB